The key elements of Prints and Advertising (P&A) that a
distributor must consider at this stage are:
The quantity and production of release prints and trailers:
Specialised films will often be released with fewer than 10
prints into key independent cinemas, with these prints subsequently 'toured'
over a 6-month period to all parts of the UK. On the other hand, commercial
mainstream films will often open on over 200 prints, simultaneously screening
in all major UK towns and cities.
Press materials, clips reels, images, press previews,
screener tapes:
For the majority of releases, favourable press response is a
key factor in developing the profile and desirability of a film. Distributors
consider both the quality and breadth of coverage, and this is often inscribed
into the nature and scale of a press campaign.
The design and printing of posters and other promotional
artwork:
The cinema poster - in the UK this means the standard
30" x 40" 'quad' format - is still the cornerstone of theatrical
release campaigns. Numerous recent examples indicate that the poster design is
highly effective in 'packaging' the key attributes of a film for potential
audiences. Distributors will also consider other poster campaigns, ranging from
Underground advertising to billboards.
Advertising campaign - locations, ad size and frequency:
Advertising in magazines, national and local newspapers
works in tandem with press editorial coverage to raise awareness of a release.
Press advertising campaign for specialised films will judiciously select
publications and spaces close to relevant editorial. For mainstream films,
scale and high visibility is the key. The cost of print advertising in the UK is
comparatively high, and is seen as making distribution in the UK a riskier
business than in most other countries. In order to extend the reach of
advertising and develop more effective communication with audiences at low
cost, distributors are looking increasingly to 'viral marketing' - different
forms of electronic word-of-mouth via the internet, email and mobile phones.
Press campaign / contracting a PR agency:
Many independent distributors in particular do not have
press departments, and will consequently hire a press agency to run a
pre-release campaign. This is especially the case if the distributor brings
over key talent for press interviews to support the release.
Arranging visit by talent from the film:
The use of talent - usually the director and/or lead actors
- wins significant editorial coverage to support a release. The volume of
coverage can far outweigh the cost of talent visits.
Other preview screenings:
A distributor will consider the use of advance public
screenings to create word-of-mouth and advance 'buzz' around a film.
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